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Monday 13th February |
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The Sinister Side By James HallPosted at 11:04AM Tuesday 30 Dec 2008
The Sinister Side Hall exhaustively analyses works of art – paintings, prints, sculptures. He scrutinises the orientation of bodies in crucifixion scenes; he notes the way a portrait's gaze twists to left or right. He describes how the early church exalted the idea of the right at the expense of the left – the right was steadfast, virtuous, the left an indication of weakness, moral and physical. A tremendous change takes place at about the time of the Renaissance. In the courtly love tradition, the left hand comes to be regarded as more beautiful than the right, and the left side of the body as emotionally and morally superior. When St George, in the great 1416 sculpture by Donatello, is seen to thrust his left foot forward, it is a moment of profound cultural significance.
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